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Some day soon I'll perform alongside these objects which are inanimate and animate simultaneously.

When I get to rehearsing my first steps will be to find initial boundaries, main ingredients and remember the continual interchange between making, listening and observing. 
This is my orchestra just now
a small collection of
battery powered motors
phone vibrators
small speakers
dictaphones
contact microphones
a hand-made bowed psaltery (under the desk)

Analogue synth-maker and tape machine hacker James Pearson will join me soon for sonic experiments in speciation and heterosis.

​His synths..
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Author

I compose electroacoustic music and new music for  electric and acoustic guitars. As a sound artist my work ranges from investigations into public ritual to the sonification of climate change data to working with the voice, in particular spoken Scots. I incorporate lens-based media and text in commissioned and exhibited work relating to understandings of the complexity of landscape and the rural environment.