- Published on
I'm a bit slow in the visual arts department. For a start I don't have the time to do my primary projects and establish a practice in other things that require my full attention. But over the years I've managed to get to grips with some aspects of collage, photography, book folding and linocut.
Recently I went to a printing workshop with the very wonderful Georgie Fay. https://georgiefay.com/ where I met some other artists involved in printing and bookmaking. Georgie's idea is to establish a club that meets regularly and eventually to set up a proper print workshop in Earlston. For this session we met at the Little Art Hub in Galashiels https://www.littlearthub.org/, a white space paid for by multi-year finding from various bodies. Jedburgh has nothing like this and the way things go in this cold, cold town is unlikely to see such a hub in my lifetime.
Anyway, I've always wanted to print, mainly to generate artwork for albums and posters and maybe zines and folded books so when a dear artist friend Sue Higginson-Bell recommended this workshop I snapped up a place and had the time of my life. I'd do this at home but you really need a large space to set out all the different clean, dirty and wet areas and of course you need a press. A good one is expensive and takes up yet more space. I won't go into the details but what I love about printing is the uncertainty. It's like wet darkroom developing when the print emerges from the tank like a fish you've just dragged up from the depths of the ocean. You're never sure what you're going to get. Then there's the repeat processes where your original print is modified and reprinted in different ways. It's similar in spirit to some of the recording techniques I use in building up a musical composition. Not to forget the amazing power of colour, nuanced by all the subtle textures that find themselves on to the print. I'm hooked. Here are some of my efforts with all the usual beginner's mistakes - thumbprints, smudges, light bands where I didn't pull the print evenly through the press, letters back to front and everything the wrong way round (some of these were happy accidents in the end).
Recently I went to a printing workshop with the very wonderful Georgie Fay. https://georgiefay.com/ where I met some other artists involved in printing and bookmaking. Georgie's idea is to establish a club that meets regularly and eventually to set up a proper print workshop in Earlston. For this session we met at the Little Art Hub in Galashiels https://www.littlearthub.org/, a white space paid for by multi-year finding from various bodies. Jedburgh has nothing like this and the way things go in this cold, cold town is unlikely to see such a hub in my lifetime.
Anyway, I've always wanted to print, mainly to generate artwork for albums and posters and maybe zines and folded books so when a dear artist friend Sue Higginson-Bell recommended this workshop I snapped up a place and had the time of my life. I'd do this at home but you really need a large space to set out all the different clean, dirty and wet areas and of course you need a press. A good one is expensive and takes up yet more space. I won't go into the details but what I love about printing is the uncertainty. It's like wet darkroom developing when the print emerges from the tank like a fish you've just dragged up from the depths of the ocean. You're never sure what you're going to get. Then there's the repeat processes where your original print is modified and reprinted in different ways. It's similar in spirit to some of the recording techniques I use in building up a musical composition. Not to forget the amazing power of colour, nuanced by all the subtle textures that find themselves on to the print. I'm hooked. Here are some of my efforts with all the usual beginner's mistakes - thumbprints, smudges, light bands where I didn't pull the print evenly through the press, letters back to front and everything the wrong way round (some of these were happy accidents in the end).
0 Comments