Current Projects
Collaborations
(with Giancarlo Toniutti)
An Atlas of Instabilities. Years in the making and adopting the form of a dialogue,
this book critically examines music and musical behaviour from the perspective of
different scientific, artistic and social disciplines. Anticipated 2021.
drookitarlùp (CD publication late 2020), two new 23' works for 42 players with non-standard
wind, string, friction and percussion acoustic instruments.
Two electroacoustic compositions (CD publication 2020/21), one by each composer,
abstracted from the journeys taken in the drookitarlùp project.
Solo
n'qua'qua, an ambient guitar project investigating Eno's original concept that the music
should "accommodate many levels of listening attention without enforcing one in
particular; it must be as ignorable as it is interesting."
the quiet project, (performance project). Ongoing development of instrument design
and building in whichhe unamplified music is quietly complex and differentiated.
Performances are site-specific - the portability of individual sound sources allows
the performer to take advantage of architectural features. details
Collaborations
(with Giancarlo Toniutti)
An Atlas of Instabilities. Years in the making and adopting the form of a dialogue,
this book critically examines music and musical behaviour from the perspective of
different scientific, artistic and social disciplines. Anticipated 2021.
drookitarlùp (CD publication late 2020), two new 23' works for 42 players with non-standard
wind, string, friction and percussion acoustic instruments.
Two electroacoustic compositions (CD publication 2020/21), one by each composer,
abstracted from the journeys taken in the drookitarlùp project.
Solo
n'qua'qua, an ambient guitar project investigating Eno's original concept that the music
should "accommodate many levels of listening attention without enforcing one in
particular; it must be as ignorable as it is interesting."
the quiet project, (performance project). Ongoing development of instrument design
and building in whichhe unamplified music is quietly complex and differentiated.
Performances are site-specific - the portability of individual sound sources allows
the performer to take advantage of architectural features. details