I've been back to the forest in all weathers - walking, sitting, thinking, filming and snapping. Now I have a 5' film for Conversations with a Forest. Out of this footage and research I have enough ideas for several years of interesting projects.
You can watch The Sigh here. If you like it please share it with friends.
Not being a 'proper' professional film-maker I lack knowledge about how to establish an effective workflow. Not that it matters too much. I begin with ideas and concepts along with various pieces of imagery in my mind and from my walks which then need to be realised as lens-based projects.
One thing I did was to mix colour imagery with monochrome, to differentiate elements of the narrative. I'm sure there's a rule somewhere about that sort of thing. The sound comes and goes as the project develops, as do the words, spoken or written on the screen. As with many art forms there comes a point when you see the living work, the organism, as complete unto itself. Rather than go into a long essay about ideas I thought to share some of the text I wanted to include in the film, along with some stills. I will say however that most of my conversations with a forest end up in confessions, apologies and remorse. We haven't really looked after our forests very well if the truth be told.
you have no need for words
and yet you are a talking book
you ask for nothing
you the cryptic host
and me the guest, the parasite
your toppled elders have the priest's ear
inviting apology, remorse, confession
with a sigh