I've been back and fore to the 'graveyard of the elders' many times in the last few weeks, filming, sound recording and taking pictures using digital, film and polaroid cameras. I now have about eighty percent of the footage. As you can see from the image above I've decided to return to the coloured gel technique I used in Is It Beautiful? described here. These shots will be juxtaposed with black and white shots and stills relating specifically to the formal properties of the stumps (or if you prefer, the listening elders) and to my arrival at and ritual communication with these fallen trees.
There are still some pieces of the puzzle that I haven't finished putting together yet, including the musical, sonic components which always require careful attention. I'm asking friends and colleagues for their ideas on what they might say to the forest and what the forest might say to them, were such a thing possible in language, with a view to using snippets of these 'conversations' as text within the film, much in the same manner as I did in Is It Beautiful? The final piece of the jigsaw is the idea that one of the most meaningful communicative acts between us and forests is in the domain of biochemistry, respiration, the exchange of carbon dioxide and oxygen. As we breathe out, the forest breathes in, as the forest exhales we inhale. The sighing forest. Just imagine what a sound artist might do with such a notion....