When we dream we redistribute time, space, people and events. Erotic dreams are frequently more confusing than usual.
This small sepia and colour series continues my work with documentary warfare photography based on a very few simple cuts. Surrealist elements offer a more nuanced reading of the war imagery.
A photo-collagist has to find pictures. I browsed around the local charity shops and found several large photo books on the theme of warfare. This simple series uses that material. The original photos were often very well taken by obviously seasoned professionals. The field of war reportage is hugely problematic, a discussion for another day. Each image has no more than three cuts.
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